Galerie Durand-Ruel, Recueil d"Estampes, gravées à l"Eau Forte, Paris 1873, no. 75;
A. Robaut, L"œuvre complet de Eugène Delacroix: peintures, dessins, gravures, lithographies, Paris 1885, p. 269, no. 1019 (dated 1847);
C. Ponsonailhe, "L"exposition de l"œuvre d"Eugène Delacroix", in L"Artiste , 9th series, no. XXIII, 1885, p. 174;
E. Moreau-Nélaton, Delacroix raconté par lui-même , Paris 1916, vol. II, pp. 137-38, reproduced fig. 364 (dated 1854);
J. Meier-Graefe, Eugène Delacroix, Beiträge zu einer Analyse , Munich 1922, p. 176, reproduced (dated 1847);
A. Joubin (ed.), Journal de Eugène Delacroix , Paris 1932, vol. III, p. 213;
L. Rudrauf, "De la bête à l"ange (les étapes de la lutte vitale dans la pensée et l"art d"Eugène Delacroix)", in Acta Historiae Artium Academiae Scientarium Hungaricae , IX, fasc. 3-4, 1963, pp. 307 and 320, reproduced fig. 10;
L.R. Bortolatto, L"opera pittorica completa di Delacroix , Milan 1972, p. 127, no. 699, reproduced;
M. Serullaz, Delacroix , Paris 1981, p. 198, no. 456, reproduced;
L. Johnson, The Paintings of Eugène Delacroix, a critical catalogue 1832-1863 , Oxford 1986, vol. III, p. 298, no. S3, reproduced vol. IV, pl. 313 (as a studio work);
L. Johnson, The Paintings of Eugène Delacroix, The Public Decorations and their Sketches, A Critical Catalogue - Volume VI, Supplement and Plates, Oxford 1989, p. 209, no. S3.